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To browse Academia. Skip to main content. You're using an out-of-date version of Internet Explorer. Log In Sign Up. Daniyal Wali. As an enthusiastic supporter of women rights and an iconoclast of modern drama she is the most original and enigmatic writer of her generation. She creates a contemporary feminist landscape where the influence of male power can be felt everywhere in society. In her most masterly work Top Girls she creates a dark vision of success for women and shows the dialectics of this process.
Key Words: Caryl Churchill, Contemporary British Theatre, Feminist Theatre, Top Girls Modern British playwrights may be said to have been successful to a large extent in portraying a picture of post-war British malaise and its effect on the life of British society. This notion has mostly been taken up as a never changing subject in the imaginative power of the playwrights of the period. The hardships in the post-war years played a large part in encouraging playwrights to create themes with proper messages in respect of the lives of the members of their society.
That is why; paying attention to the validity of the issues under consideration was indispensible in the effort to produce plays which were supposed to be relevant in view of current conditions. As one of the most contemporary women playwrights, Caryl Churchill is generally grouped with the dramatists of the late s who refresh and at the same time change the format of British theatre.
She is one of a number of playwrights whose plays receive admiration not only from British audiences but also European theatre critics. The route of her career is extremely different from that of contemporaries.
While the male dramatists of that time in general started to found a theatre company and from there to the forecoming subsidized playhouses, this was a little bit different for Churchill. Because the route Churchill followed was much more complicated as this process was characterized by some important changes in direction. She began writing short stories as a youth.