American, 20th century. Born , Chicago, Illinois; died , Boston, Massachusetts. What those urges were, we can only speculate, but the products of that hobby have resonated strongly with viewers since they were discovered at an antiques show in Bartlett, who had never married and lived alone, had constructed a family of fifteen anatomically correct dolls, all children: three young boys and twelve prepubescent or physically-developing girls.
He then photographed them in varied poses or tableaux, either in clothes he had made or occasionally, in the case of the girls, nude. The dolls are a third to half life size, modeled first in clay, then cast in plaster. Having had no training in art, Bartlett assiduously studied anatomy texts to perfect his creations, then learned to sew, embroider, and knit to clothe them, and finally took up photography to capture the moments of the lives he imagined for them.
The well-composed and studiously lit photographs are emotionally charged, alternately sweetly sentimental, poignant, or humorous, and, at times, darkly, even erotically suggestive. They seem to reveal a terribly naked longing that can be unsettling to the viewer, who has gained uninvited access into what appears to be a lonely realm of desire and projection.
Bartlett only immersed himself in this realm during the middle years of his life, from age twenty-seven through fifty-four. Having been orphaned and adopted at age eight, he was given good educational opportunities by his new family - schooling at Phillips Exeter Academy followed by two years at Harvard.
During the depression and after WWII, Bartlett shifted among a variety of jobs, settling eventually into a career as a freelance graphic designer. He shared knowledge of his hobby with a few neighbors and close friends, and even pondered their commercial possibilities if mass marketed, but never acted.
