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Artificial Intelligence. Its growing reputation amongst critics, audiences and Spielberg scholars has muted a lot of the ambivalence that greeted it upon initial release. Anyway, this is a family show. Instead of detailing the processes whereby a robot pleasures the ladies, we see Joe going through his suave seduction routines, which are curiously vintage, based as they are on soft-shoe-shuffling razzle-dazzling dance moves and its-all-about-you patter.
With a flick of his head, he can start a song playing to get you in the mood. It is from Astaire that Gigolo Joe has downloaded his dance moves, the twirling and toe-tapping that augment his walk with a smooth and confident glide.
The Astaire Bill was under discussion from , and throughout the production of the film. It was supported by the Screen Actors Guild, and opposed by most of the major studios. Joe has only been given eyes by his makers so that he can perform these kinds of acts with paying customers.
He begins to image that all passersby and advertising models have her face, and halfway through the song, we cut to an astonishing Busby Berkeley dance routine where all of the dancers look like Ruby Keeler, or hold giant masks of her face. The excess is overwhelming as a romantic gesture, and the replications of Keeler create an uncanny sense of her commoditisation, paradoxically extolling her uniqueness with an image of multiplicity.
It makes sense, then, that this should provide the soundtrack for an android, especially one functionally designed to treat all-comers as the perfected image of his desire. Rate this:. Like Loading Leave a comment Cancel reply. Comment Reblog Subscribe Subscribed. Spectacular Attractions. Sign me up. Already have a WordPress. Log in now.