WEIGHT: 60 kg
Bust: A
1 HOUR:130$
NIGHT: +90$
Sex services: Fisting anal, Disabled Clients, Extreme, Naturism/Nudism, Fetish
July 31, by clander. Social Networking sites have been embraced by white people since their inception. Because these sites use profile pages, white people can more efficiently judge friends and future friends on their taste in film, books, music, and inspirational quotes. Advanced level white people, fearful of being judged on their tastes from last week, will often only list one or two ironic things as their favorites.
In both cases these ironic answers serve as protective shields from the harsh gaze of other white people. As noted in earlier posts, white people are obsessed with being in the right neighborhood and the Internet is no exception. In the early days, white people joined a social networking service called Friendster where they could connect with old friends and make new ones. Eventually, white people started to notice more and more of their friends on MySpace, so they closed their Friendster accounts and migrated to the new service.
It was like living in a neighborhood that was pretty good but kind of far away, so you might have to miss out on a few parties. Needless to say, this was unacceptable. For a brief period of time, MySpace was the site where everyone kept their profile and managed their friendships. But soon, the service began to attract fake profiles, the wrong kind of white people, and struggling musicians. In real world terms, these three developments would be equivalent to a check cashing store, a TGIFridays, and a housing project.
All which strike fear in the hearts of white people. White people were nervous but had nowhere else to go. Then Facebook came along and offered advanced privacy settings, closed networks, and a clean interface. In spite of these advances, some white people still clung to their old MySpace accounts.
That was until they learned that Facebook started, like so many things beloved by white people, at Harvard. Within a matter of months, MySpace had gone from a virtual utopia to Digital Detroit, where only minorities and indie bands remain.