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The press β which specializes in chapbooks and broadsides β celebrates its 20th anniversary this year. Take a look and subscribe. How would or could I have known? I just kept doing and making and discovering new things to attempt.
It becomes difficult to separate one from the other. I think the core ideas for the press have been there from the beginning, if not the near-beginning, and these ideas have simply expanded, or become better articulated and executed.
How do you define that feeling when you choose the writers you wish to work with? My chapbook offer to her was almost immediate. But not everyone that catches my eye ends up going places.
One has to have faith, I suppose. I also want to be able to provide a space for risky work, writing that might not really fit anywhere else. A chapbook? And if not, how might I get a hold of them to possibly request one? Can you tell us a little more about the anniversary events you have planned this year? Basically: stay tuned. Are there any releases this year that you are particularly looking forward to and would like to highlight for us? Recently, I finally received a chapbook manuscript from British Columbia poet David Phillips , which is enormously exciting for me.
We have yet to hammer the small mound into a workable manuscript. His most recent titles include the poetry collections Songs for little sleep Obvious Epiphanies, , grief notes: BlazeVOX [books], , and A short history of l.